If thereвЂ™s a gap that a fully-fleshed Link canвЂ™t traverse, merge with the wall as a painting and heвЂ™ll be able to shimmy along the wall as a living piece of art. This new mechanic adds a new dimension (or rather, takes one away) to the gameвЂ™s puzzles. Our hero is able to escape the spell though, and gains the ability to become a painting against a wall again at will. In an early encounter, he does the same to our green-tunic wearing hero, turning him in to a painting too, stuck against a wall.

This time, itвЂ™s some nasty by the name of Yuga, whoвЂ™s transformed the seven sages in to paintings to easier wrest control of the artefact. Once again, the peaceful kingdom of Hyrule is under threat, some or other big bad guy is after that mystical relic that keeps the Kingdom in check, the Triforce. Those changes donвЂ™t come in the narrative though. ItвЂ™s not though, because it makes some worthwhile and interesting changes to the established, dare I say clichГ©d formula. Set after that defining 16-bit SNES classic, A Link to the Past, A Link Between Worlds is in fact set in the very same universe вЂ“ and looks for all the world like the same game, with a graphical lick paint afforded by the march of technological evolution. LinkвЂ™s latest adventure, A Link between Worlds for the 3DS does exactly the opposite it takes all the things that made you fall in love with a Legend of Zelda, and makes them better. Usually they end up pissing all over your memories, as was the case with Aliens: Colonial Marines and Duke Nukem forever.

Games that play on your nostalgia are a funny thing.

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